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Digital vision and the ecological aesthetic (1968-2018)

1. Verfasser: FitzGerald, Lisa (VerfasserIn)
Verfasserangabe: Lisa FitzGerald
Format: Buch
Sprache: Englisch
veröffentlicht:
London, New York Bloomsbury Academic 2021
Umfang: vii, 166 Seiten; Illustrationen
Schlagwörter:
RVK-Notation:
LH 61100
  • Allgemeines. Allgemeine Kunstgeschichte
    • Theorie und Praxis der Bildenden Kunst
      • Theorie der Bildenden Kunst
        • Beziehungen der Kunst zu anderen Gebieten (z.B. Kunst und Religion, Kunst und Moral)
BK-Notation: 21.98 Mediale Kunst
42.97 Ökologie: Sonstiges
20.05 Kunst in Beziehung zu anderen Wissenschaftsgebieten
Gesamtaufnahme: Environmental cultures
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520 |a Introduction: Technology, Relationality and the Eco-Digital Aesthetic -- Generative Aesthetics: The Emerging Visual Language of Eco-Digital Art -- Synthetic Landscapes, Google Street View and Other-than-Human Agency -- Natura Naturans: Immersion, Gardening, and Natural Systems Design -- DIY: Biomimetics, Robotics and the Glitch Aesthetic -- Coding Climate Change: Petro-Cultures in Digitally-Simulated Environments -- Conclusion: Biophilia and the parameters of Eco-Digital Art. 
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contents Introduction: Technology, Relationality and the Eco-Digital Aesthetic -- Generative Aesthetics: The Emerging Visual Language of Eco-Digital Art -- Synthetic Landscapes, Google Street View and Other-than-Human Agency -- Natura Naturans: Immersion, Gardening, and Natural Systems Design -- DIY: Biomimetics, Robotics and the Glitch Aesthetic -- Coding Climate Change: Petro-Cultures in Digitally-Simulated Environments -- Conclusion: Biophilia and the parameters of Eco-Digital Art., "This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Digital technology has transformed the way that we visualise the natural world, the art we create and the stories we tell about our environments. Exploring contemporary digital art and literature through an ecocritical lens, Digital Vision and the Ecological Aesthetic (1968-2018) demonstrates the many ways in which critical ideas of the sublime, the pastoral and the picturesque have been renewed and shaped in digital media, from electronic literature to music and the visual arts. The book goes on to explore the ecological implications of these new forms of cultural representation in the digital age and in so doing makes a profound contribution to our understanding of digital art practice in the 21st century"--
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spelling FitzGerald, Lisa VerfasserIn (DE-588)117835072X (DE-627)1049296982 (DE-576)517738287 aut, Digital vision and the ecological aesthetic (1968-2018) Lisa FitzGerald, 2012, London New York Bloomsbury Academic 2021, vii, 166 Seiten Illustrationen, Text txt rdacontent, ohne Hilfsmittel zu benutzen n rdamedia, Band nc rdacarrier, Environmental cultures, Includes bibliographical references and index, Introduction: Technology, Relationality and the Eco-Digital Aesthetic -- Generative Aesthetics: The Emerging Visual Language of Eco-Digital Art -- Synthetic Landscapes, Google Street View and Other-than-Human Agency -- Natura Naturans: Immersion, Gardening, and Natural Systems Design -- DIY: Biomimetics, Robotics and the Glitch Aesthetic -- Coding Climate Change: Petro-Cultures in Digitally-Simulated Environments -- Conclusion: Biophilia and the parameters of Eco-Digital Art., "This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Digital technology has transformed the way that we visualise the natural world, the art we create and the stories we tell about our environments. Exploring contemporary digital art and literature through an ecocritical lens, Digital Vision and the Ecological Aesthetic (1968-2018) demonstrates the many ways in which critical ideas of the sublime, the pastoral and the picturesque have been renewed and shaped in digital media, from electronic literature to music and the visual arts. The book goes on to explore the ecological implications of these new forms of cultural representation in the digital age and in so doing makes a profound contribution to our understanding of digital art practice in the 21st century"--, Environment (Aesthetics), Technology and the arts, Digital media, Mass media and the arts, s (DE-588)4114333-4 (DE-627)105822957 (DE-576)209483733 Kunst gnd, s (DE-588)4123065-6 (DE-627)105757853 (DE-576)209556587 Digitalisierung gnd, s (DE-588)4037877-9 (DE-627)106235079 (DE-576)209027029 Massenmedien gnd, s (DE-588)4043207-5 (DE-627)104434910 (DE-576)209054700 Ökologie gnd, z gnd Geschichte 1968-2018, (DE-627), 9781350051843 ePDF, 9781350051850 eBook, Erscheint auch als Online-Ausgabe FitzGerald, Lisa Digital Vision and the Ecological Aesthetic (1968 - 2018) London : Bloomsbury Publishing Plc, 2020 1 Online-Ressource (134 pages) (DE-627)174323015X 9781350051850, https://swbplus.bsz-bw.de/bsz1737208210inh.htm V:DE-576 B:DE-14 20220614193626 Inhaltsverzeichnis, DE-14 2021-02-04T10:26:42Z 2021-02-09, finc FID-MEDIEN-DE-15
spellingShingle FitzGerald, Lisa, Digital vision and the ecological aesthetic (1968-2018), Introduction: Technology, Relationality and the Eco-Digital Aesthetic -- Generative Aesthetics: The Emerging Visual Language of Eco-Digital Art -- Synthetic Landscapes, Google Street View and Other-than-Human Agency -- Natura Naturans: Immersion, Gardening, and Natural Systems Design -- DIY: Biomimetics, Robotics and the Glitch Aesthetic -- Coding Climate Change: Petro-Cultures in Digitally-Simulated Environments -- Conclusion: Biophilia and the parameters of Eco-Digital Art., "This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Digital technology has transformed the way that we visualise the natural world, the art we create and the stories we tell about our environments. Exploring contemporary digital art and literature through an ecocritical lens, Digital Vision and the Ecological Aesthetic (1968-2018) demonstrates the many ways in which critical ideas of the sublime, the pastoral and the picturesque have been renewed and shaped in digital media, from electronic literature to music and the visual arts. The book goes on to explore the ecological implications of these new forms of cultural representation in the digital age and in so doing makes a profound contribution to our understanding of digital art practice in the 21st century"--, Environment (Aesthetics), Technology and the arts, Digital media, Mass media and the arts, Kunst, Digitalisierung, Massenmedien, Ökologie, Geschichte 1968-2018
title Digital vision and the ecological aesthetic (1968-2018)
title_auth Digital vision and the ecological aesthetic (1968-2018)
title_full Digital vision and the ecological aesthetic (1968-2018) Lisa FitzGerald
title_fullStr Digital vision and the ecological aesthetic (1968-2018) Lisa FitzGerald
title_full_unstemmed Digital vision and the ecological aesthetic (1968-2018) Lisa FitzGerald
title_short Digital vision and the ecological aesthetic (1968-2018)
title_sort digital vision and the ecological aesthetic 1968 2018
topic Environment (Aesthetics), Technology and the arts, Digital media, Mass media and the arts, Kunst, Digitalisierung, Massenmedien, Ökologie, Geschichte 1968-2018
topic_facet Environment (Aesthetics), Technology and the arts, Digital media, Mass media and the arts, Kunst, Digitalisierung, Massenmedien, Ökologie, Geschichte 1968-2018
url https://swbplus.bsz-bw.de/bsz1737208210inh.htm