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Postfeminist Whiteness: Problematising Melancholic Burden in Contemporary Hollywood
| 1. Verfasser: | |
|---|---|
| Verfasserangabe: | Kendra Marston |
| Format: | E-Book |
| Sprache: | Englisch |
| veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
©2018 |
| Umfang: | 1 Online-Ressource (232 p.); 20 B/W illustrations |
| enthält: | Frontmatter Contents List of Figures Acknowledgements Introduction 1 The World Is Her Oyster: Negotiating Contemporary White Womanhood in Hollywood’s Tourist Spaces 2 ‘Hoist the Colours!’ Framing Feminism through Charismatic White Leadership in the Fantasy Blockbuster 3 Neoliberalism, Female Agency and Conspicuous Consumption as Tragic Flaw in Woody Allen’s Blue Jasmine 4 Paranoid Attachments to Suburban Dreams: Pathological Femininity in Gone Girl and The Girl on the Train 5 Aristocratic Whiteness, Body Trauma and the Market Logic of Melancholia in Black Swan 6 Sofia Coppola’s Melancholic Aesthetic: Vanishing Femininity in an Object-oriented World Conclusion: Melancholic White Femininity, Cultural Resonance and the Shifting Politics of Representation Bibliography Filmography Index |
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