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|a Chapter 7 Listening to the talkies
|b Atarashiki tsuchi’s (1937) acoustic construction of Japan for western consumption
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|a This chapter examines the choices made regarding film sound—music, sound, and noise—for creating a target-oriented image of Japan for the anticipated German audience in Atarashiki tsuchi (New Earth aka Die Tochter des Samurai, 1937). This Japanese-German co-produced film, produced entirely in Japan, with a binational cast and crew and in a highly politicised context, was supposed to showcase both contemporary Japan and its film industry to the world. The use of sound for the creation of meaning in this film has been largely overlooked in favour of its strong visuals. However, an analysis of selected sections shows that the major messages are actually encoded on the soundtrack and that a focus on sound provides a potent tool for revealing the underlying imbalance regarding cultural power and authority at work in the project.
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Haukamp, Iris |
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This chapter examines the choices made regarding film sound—music, sound, and noise—for creating a target-oriented image of Japan for the anticipated German audience in Atarashiki tsuchi (New Earth aka Die Tochter des Samurai, 1937). This Japanese-German co-produced film, produced entirely in Japan, with a binational cast and crew and in a highly politicised context, was supposed to showcase both contemporary Japan and its film industry to the world. The use of sound for the creation of meaning in this film has been largely overlooked in favour of its strong visuals. However, an analysis of selected sections shows that the major messages are actually encoded on the soundtrack and that a focus on sound provides a potent tool for revealing the underlying imbalance regarding cultural power and authority at work in the project. |
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Online, Free |
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Musikwissenschaft, Allgemeines |
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Chapter 7 Listening to the talkies |
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Taylor & Francis, 2023 |
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Taylor & Francis, 2023 |
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DE-D117, DE-14, DE-L242, DE-Zwi2, FID-MEDIEN-DE-15, DE-Ch1, DE-15, DE-540 |
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9781003143772-11, 9780367698911, 9780367698973 |
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DE-14, DE-15, DE-540, DE-Ch1, DE-D117, DE-L242, DE-Zwi2 |
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English |
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2023-01-04T09:40:21.247Z |
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10.4324/9781003143772-11 |
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1 electronic resource (22 p.) |
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2023 |
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2023 |
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Taylor & Francis |
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Haukamp, Iris auth, Chapter 7 Listening to the talkies Atarashiki tsuchi’s (1937) acoustic construction of Japan for western consumption, Taylor & Francis 2023, 1 electronic resource (22 p.), text txt rdacontent, computer c rdamedia, online resource cr rdacarrier, Open Access star Unrestricted online access, This chapter examines the choices made regarding film sound—music, sound, and noise—for creating a target-oriented image of Japan for the anticipated German audience in Atarashiki tsuchi (New Earth aka Die Tochter des Samurai, 1937). This Japanese-German co-produced film, produced entirely in Japan, with a binational cast and crew and in a highly politicised context, was supposed to showcase both contemporary Japan and its film industry to the world. The use of sound for the creation of meaning in this film has been largely overlooked in favour of its strong visuals. However, an analysis of selected sections shows that the major messages are actually encoded on the soundtrack and that a focus on sound provides a potent tool for revealing the underlying imbalance regarding cultural power and authority at work in the project., Creative Commons https://creativecommons.org/licenses/by-nc-nd/4.0/ cc https://creativecommons.org/licenses/by-nc-nd/4.0/, English, nnaa OAPEN Library UUID: Asian Sound Cultures, www.oapen.org https://library.oapen.org/bitstream/20.500.12657/57871/1/9781003143772_10.4324_9781003143772-11.pdf.pdf 0 DOAB: download the publication, www.oapen.org https://directory.doabooks.org/handle/20.500.12854/91245 0 DOAB: description of the publication, txt, nc, Music, Theory Of Music & Musicology, Regional Studies, Asian, Christin, Cultures, Haukamp, Hoene, Iris, Matyn, Noise, Smith, Sound, Technology, Voice, Ethnomusicology, Performance |
| spellingShingle |
Haukamp, Iris, Chapter 7 Listening to the talkies: Atarashiki tsuchi’s (1937) acoustic construction of Japan for western consumption, This chapter examines the choices made regarding film sound—music, sound, and noise—for creating a target-oriented image of Japan for the anticipated German audience in Atarashiki tsuchi (New Earth aka Die Tochter des Samurai, 1937). This Japanese-German co-produced film, produced entirely in Japan, with a binational cast and crew and in a highly politicised context, was supposed to showcase both contemporary Japan and its film industry to the world. The use of sound for the creation of meaning in this film has been largely overlooked in favour of its strong visuals. However, an analysis of selected sections shows that the major messages are actually encoded on the soundtrack and that a focus on sound provides a potent tool for revealing the underlying imbalance regarding cultural power and authority at work in the project., Music, Theory Of Music & Musicology, Regional Studies, Asian, Christin, Cultures, Haukamp, Hoene, Iris, Matyn, Noise, Smith, Sound, Technology, Voice, Ethnomusicology, Performance |
| title |
Chapter 7 Listening to the talkies: Atarashiki tsuchi’s (1937) acoustic construction of Japan for western consumption |
| title_auth |
Chapter 7 Listening to the talkies Atarashiki tsuchi’s (1937) acoustic construction of Japan for western consumption |
| title_full |
Chapter 7 Listening to the talkies Atarashiki tsuchi’s (1937) acoustic construction of Japan for western consumption |
| title_fullStr |
Chapter 7 Listening to the talkies Atarashiki tsuchi’s (1937) acoustic construction of Japan for western consumption |
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Chapter 7 Listening to the talkies Atarashiki tsuchi’s (1937) acoustic construction of Japan for western consumption |
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|
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Chapter 7 Listening to the talkies |
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chapter 7 listening to the talkies atarashiki tsuchi s 1937 acoustic construction of japan for western consumption |
| title_sub |
Atarashiki tsuchi’s (1937) acoustic construction of Japan for western consumption |
| topic |
Music, Theory Of Music & Musicology, Regional Studies, Asian, Christin, Cultures, Haukamp, Hoene, Iris, Matyn, Noise, Smith, Sound, Technology, Voice, Ethnomusicology, Performance |
| topic_facet |
Music, Theory Of Music & Musicology, Regional Studies, Asian, Christin, Cultures, Haukamp, Hoene, Iris, Matyn, Noise, Smith, Sound, Technology, Voice, Ethnomusicology, Performance |
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https://library.oapen.org/bitstream/20.500.12657/57871/1/9781003143772_10.4324_9781003143772-11.pdf.pdf, https://directory.doabooks.org/handle/20.500.12854/91245 |
